Looking at the verses of the poet Rosa Colella is always very difficultgymnastics, since they dig in every direction. There is not just onedirection in understanding them, or at least coming close tounderstanding them, but multiple directions: as if it were a path pavedwith stones of different sizes, cracked in the corners, marked by time,wet by torrential rains, affected by events. At first glance, they seemlike simple stones, but in reality they are disruptive figures thatweigh on our anxieties. Rosa Colella is an admirable social poet and inthis term, often misunderstood, there is all her revolutionary strength.Poems in total free metric, to take on the profound responsibility ofemotional involvement. Like all social poetry, metrics takes on anextraordinary personal execution: without frills or scholasticarchitecture, caged in fixed and didactic schemes. One cannot remainindifferent to this new anthology by Colella.Largo al Soylent" is a poetic book that launches into dives ofdeconstructing prose, in a succession of pain and drama. Where pain istorn skin on the paper and drama is a heavy blanket that does not allowindifference. 71 poems of extraordinary social commitment Where thecollective mixes with solitude, where the force of the rebellious massembraces the singularity of the individual; a desperate cry against aterrifying genocidal system. In every verse we perceive the fragility,the disillusionment, the immaterial upheaval of the senses, but even thetension of the cry, the step of the fighter, the fist raised endlesslyas a sign of struggle insusceptible of surrender. And this can onlyexist in social poetry. As in the poem "The window on the sky" when hewrites:Her eyes, almost blind,they dreamed of courageto imaginea new wayalmost a windowon the sky.So the wise old man, she musedand, feeling a reason within himselfto live and fightagainst the crazy built worldto encircle and annihilatethe human suffocated in sadness,he took a train ticket and left.Or even in "Contagion and Punishment" where the metric floods the paperwith anger and brings it to a severe awareness:Bent terribly, in today,the world, a great slaughterhouseand madhouse full of boredom,he has a terrified lookand he finds himself lost in the woodssurrounded by traffic and metalpopulated with strange monstersready to destroy himby blows of strange remaining citiesalien and full of cowardiceof the boom yearsfrom roaring tranquilityof the cashmere coat.The inhuman society in which we are forced to live bites Rosa Colella'sverses and swoops them down until they set on fire with love and anger.In an outpost refractory to any imposition, pigeonholing, alienation.I was lucky enough to know Rosa, and on several occasions talk andtherefore discuss struggle poetry; and it is in those moments that Igrasped her poet dimension, her poignant gaze, her implacable convictionof belonging to the world of the oppressed. Certainly a painful bookbut, at the same time, to be held tightly in your hands so as not tolose hope in another world.Il Cantiere n. 20 ottobre 2023 ilcantiere@autistici.orghttp://alternativalibertaria.fdca.it/_________________________________________A - I N F O S N E W S S E R V I C EBy, For, and About AnarchistsSend news reports to A-infos-en mailing listA-infos-en@ainfos.ca
Geen opmerkingen:
Een reactie posten