Only Jacopo Fo was missing. One who has done something good in his life too - he
is one of the founders of the satirical magazine Il Male, has been dealing withenergy since the 70s, is still the son of Dario Fo and Franca Rame - but who inrecent years it has taken a petty and dangerous drift, were it not evenridiculous before. One day this cultural animator, as he defines himself, showsup in Gela, it was the first months of 2019 if I remember correctly. The city wasstill in a dramatic phase, politics and institutions and trade unions kept sayingthat the conversion of Eni's refinery was underway and instead, in addition tothe well-known environmental havoc, it was also necessary to address the lack ofwork. In such a delicate moment Jacopo Fo arrives, on behalf of one of histhousand companies (the Atlantide group), and says: I will raise this city as Idid in Mozambique. There are those who smile, say "shit accussì bad semu misi?",And who ask "ma a chistu cu u manna?".The second question takes little to answer, explains Fo himself, Eni sends itbecause we need to look at the city with different eyes. And what does thissix-legged intellectual come up with? He convinces some schools in the city, withthe terrible complicity of the teachers, to hire students to remove the ugliestimages from Google searches in Gela. Hundreds and hundreds of colorful, cheerful,cloying photos are loaded in their place, in order to attract possible touristsand in any case give a positive version of one of the ugliest and most tormentedcities in Sicily. The titanic effort lasts for just a few days, then the news andthe truth take over again.Faced with this (in) success, Jacopo Fo tries again and relaunches, inventing asparkling site that has an evocative title, "Freeze the roots of the future". Itis a container that serves to do "relaunch and territorial promotion", again, inwhich there is a bit of everything: the seven wonders of Gela (even), 3 seasonsof a web-series on Gela (in reality they are interviews with some local peopleand as there were no askari who lent themselves to this farce, in a series thereis one of the creators, his wife, best friend and his priest), the "Sicilianquality" stamps that are given "to the" more deserving initiatives for thesupport they give to culture, economy, eco-sustainability and the image of thecity, according to the assessments collected by the project team ". Perhaps awarethat he must justify to Eni why the company turned to someone who is more of animproviser than an expert with marketing and communication, Jacopo Fo continuesto churn out initiatives after initiatives. One of the most sensational are the"works" that still show themselves at the railway station: they are scribbles anddrawings from elementary school, designed by Fo himself, who he has the courageto call "street-art". In reality, the six-legged intellectual had tried toinvolve local artists, who had sent him to shit when they discovered that he hadthe power to approve or disapprove their sketches and those in return would alsohave to work for free and even pay for the necessary materials yourself. Anothertime Fo made a cartoon about the history of Gela, full of so many inaccuraciesthat the Gelese artist Giuseppe Brugioni needed various articles to disprove anddismantle them one by one. My favorite episode remains the one in which in one ofthe episodes of the web-series one of the protagonists was immortalized while hewas running around with his motorbike on the dunes of the beach, which areprotected by European standards: it took the recommendation of a politician ofthe Cinquestelle so that the crew realized they were spreading a criminal offenseand took the entire interview off the web.Worse than Jacopo Fo, then, there are those who lend themselves to companies ofsuch depth: sometimes they are useful idiots, who, however, always arouse alittle anger because after 60 years of Eni's presence they still haven'tunderstood what propaganda consists, more often they are childish profiteers whostill beg for attention and alleged shop windows. It is really true, as VictorHugo said, that there are people who would pay to sell themselves. In an articleon Jacobin I used the expression "cultural washing", mimicking greenwashing, thatis, the environmentalism of the facade, which seemed to me an apt definition toindicate the cultural mystifications paid by the industries in the Sicilian sitesthat they devastated. For Fo it is an excessive definition: his are culturalbullshit, neither more nor less. As the Gelese artist Giuseppe Brugioni recalls,the money that Eni pays to Fo and that even some local accomplice collects, isthe consideration for the dead and the sick and the sacked by those who destroyedthe city.Since I am a little sorry that Eni wastes the money in this way, also because itis still partly taxpayers' money given the presence of the state among theshareholders of the company, at the last meeting of the six-legged dog Iexpressly asked how much it was cost so far these cultural bullshit and if itwere not considered appropriate to cut the funds. Eni replied saying that theproject "aims at urban redevelopment starting from what the city offers in termsof attractions, including those still unexplored. The protagonists of the projectare Gela and its inhabitants: institutions, schools, associations, students,young people, the elderly and professionals who get involved to promote the imageof the city ". Understood? They are the people who have to get involved,according to Eni and Fo. It goes even worse with the second part of the answer."The partnership, which has the patronage of the Municipality of Gela, wasdeveloped through various agreements of variable annual value in relation to thecontents and related benefits recognized to Eni". If there were still doubtsabout the question "who are these cultural bullshit for", it is the companyitself that provides an answer.Andrea Turcohttps://www.sicilialibertaria.it/_________________________________________A - I N F O S N E W S S E R V I C EBy, For, and About AnarchistsSend news reports to A-infos-en mailing listA-infos-en@ainfos.caSPREAD THE INFORMATION
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